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Miller a view from the bridge
Miller a view from the bridge











miller a view from the bridge

This gave an impression of a run-down area where only people of the lowest income lived. For example, when he described the area where Beatrice and Eddie lived, Miller (1995) characterized it as “the slum that faces the bay” (p. Miller wrote about the grip that the Italian Mafia had over the US culture. The characters of Eddie, Catherine, and Beatrice are the most prominent when it comes to representing a typical Italian family. Miller’s A View from the Bridge is effective at presenting various views of America through the eyes of immigrants and working people. The Italian-American Mafia and the “Omerta” played a defining role in shaping the culture of the United States, especially in the context of such cities as New York and Chicago. Role of Mafia and the “Omerta” Within the Italian-American Community and Culture The divide in the American society in the late 40s and early 50s was unacceptable to Miller (2000), who wrote, “we rapidly passed over anything like a discussion or debate, and into something quite different, a hunt not just for subversive people, but for ideas and even a suspect language” (para. The character of Eddie Carbone was supposed to reflect Kazan’s betrayal, which Miller considered as shameful. Therefore, A View from the Bridge directly echoes the division of the society caused by the HUAC. Despite this, Miller’s close friend and director Elia Kazan agreed to give out the names of suspected communists, which contributed to the rivalry between the two. After his denial, Miller was praised by fellow artists ever since. Rather, he cited the guarantee of free speech and the right to stay silent, protected by the First Amendment (Glass 2013). However, in contrast to other witnesses who refused to cooperate, he did not invoke the protection of the Fifth Amendment against self-incrimination.

miller a view from the bridge

Miller immediately agreed with the rights of the HUAC to inquire into the political activities. He was called before the committee on June 21, 1956, and asked to disclose the names of suspected communists. The Committee managed to cause the playwright some troubles. The relationship between Arthur Miller and the HUAC cannot be called amicable to any extent. Learn more The Role of House Un-American Activities Committee













Miller a view from the bridge